1918 PATHE 27012 PAUL ALTHOUSE Burleigh JEAN/ Stephenson THE MELODY OF HOME 78

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Item: 126768996311

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Pathe:Pathe
Genre:Classical
Style:Anthem,Aria,Ars Nova,Ballata,Cantata,Canzona,Chanson,Chorale,Elegy,Gregorian Chant,Laude,Lied,Madrigal,Mass,Motet,Opera,Oratorio,Serenade
Record Size:10″
Speed:78 RPM

Shipping: All items will be packed safely in a sturdy package for safe shipping.We ship internationally and offer combined shipping for multiple purchases. Expedited, Priority Mail and FedEx shipping available Once payment is received, we ship your item on the next business day.INTERNATIONAL BUYERS: Pls check the shipping tab. Ebay does not display cheapest shipping on top of the listing. Over 1000 Records available. If you plan to buy several records: Click the « ADD TO CART » button. Once you have selected all the records you want, go to Cart and check out. COMBINED SHIPPING will be applied automatically. If shipping seems high: In Cart click REQUEST TOTAL, and I will send you an invoice. Rare appearance of PAUL ALTHOUSE, leading American tenor at the MET, on PATHE> He is accorded the Celebrity Gray label in two songs The Melody of Home ( Stephenson ) ./ Jean ( Burleigh ) .Paul Althouse , Tenor 25013Pathe 10 3/8″ Sapphire 78 rpm record Condition: EXCELLENT close to pristine, faint scuffs,faint scratches on Sunshine plays E+ EXCEPTIONALLY quietA SUPERB COPY Althouse in Boris Godunov in 1913 Paul Shearer Althouse (December 2, 1889 – February 6, 1954) was an American opera singer. He began his career as a lyric tenor with a robust Italianate sound, in roles like Mario Cavaradossi in Tosca, Lieutenant Pinkerton in Madama Butterfly, and Turiddu in Cavalleria rusticana. He later branched out into the dramatic tenor repertoire, finding success in portraying Wagnerian heroes. He sang with the Metropolitan Opera in New York City for 30 years.[1] Biography[edit]He was born in Reading, Pennsylvania on December 2, 1889 to Harry Jacob Althouse (1871-1937) and Laura May Shearer (1873-1942).[2][3] Althouse sang as a boy soprano in the choir of his hometown’s Episcopal Church. He received his first voice lessons at the church from Evelyn Essick. He studied music at Bucknell University and then singing privately with Perley Dunn Aldrich in Philadelphia and Oscar Saenger and Percy Rector Stevens in New York City. He made his professional opera debut with the Philadelphia-Chicago Grand Opera Company as the title hero in Charles Gounod’s Faust in an out of town engagement in New York City.[4] Althouse debuted at the Metropolitan opera in a small role in The Magic Flute on November 23, 1912. His first major assignment with that company came on March 19, 1913 as Grigory in the United States premiere of Mussorgsky’s Boris Godunov under the baton of Arturo Toscanini.[5][6] He was notably the first American tenor without European experience to sing at the Met.[4] He married Elizabeth Breen (1896-1966) on June 18, 1915 in St. Paul, Minnesota, they later divorced.[7] Althouse remained at the Met through 1920, during which time he participated in the world premieres of Victor Herbert’s Madeleine (François, 1914), Umberto Giordano’s Madame Sans-Gêne (Neipperg, 1915), Reginald de Koven’s The Canterbury Pilgrims (Squire, 1917), Charles Wakefield Cadman’s Shanewis (Lionel, 1918) and Joseph Carl Breil’s The Legend (Stephen, 1919). His other roles at the house during these years included: Cavaradossi in Tosca, Froh in Das Rheingold, the Italian Singer in Der Rosenkavalier, Nicias in Thaïs, Pinkerton in Madama Butterfly, Turiddu in Cavalleria Rusticana, Uin-San-Lui in Franco Leoni’s L’Oracolo, Walther in Tannhäuser, Vladimir in Prince Igor, and the title role in Oberon.[6] Althouse spent much of the 1920s dedicated to concert performances. After a five-year absence from opera, he appeared as Faust in San Francisco in 1925. He joined the roster of singers at the Philadelphia Civic Opera Company (PCOC) that year, making his debut with the company as Avito in L’amore dei tre re. He also sang Samson in Samson and Delilah and Don José in Carmen with the company that year. He visited the Bayreuth Festival in the summer of 1925, and decided he wanted to train as a Heldentenor. He made his first foray into that heavier repertoire at the PCOC as Tristan in Tristan und Isolde on March 25, 1926. He continued to perform with the PGOC annually through 1929 in such roles as Canio in Pagliacci, Pinkerton, Radamès in Aida, Siegmund in Die Walküre, and Walther von Stolzing in Die Meistersinger von Nürnberg.[4] In 1929 Althouse made his first appearances at major European opera houses, appearing at the Berlin State Opera, the Staatsoper Stuttgart, and the Royal Swedish Opera, mainly as Turiddu and as Canio. That same year he also performed in concerts with the Eaton Choral Society in Toronto. In 1930 he sang at the Chicago Civic Opera as Tannhauser and Siegmund. In 1931 he sang the title role in Stravinsky’s Oedipus rex with the Philadelphia Orchestra under conductor Leopold Stokowski. He sang Tristan and Siegfried in concert with the orchestra the following year. In 1933 he sang Tristan in San Francisco.[4] After a thirteen-year absence, Althouse returned to the Met on February 26, 1933 for a special concert honoring Giulio Gatti-Casazza. He next appeared on stage as Siegmund in Die Walküre on February 3, 1934 with Frida Leider as Brünnhilde. He appeared annually at Met for the next six years, singing such roles as Aegisth in Elektra, Loge in Das Rheingold, Pinkerton, Tristan, Walther von Stolzing, and the title role in Lohengrin. His last appearance at the Met was in a concert evening on February 18, 1940.[6] Althouse retired from the stage in 1945, after which he dedicated himself to teaching.[1] Amongst his pupils were Richard Tucker, Eleanor Steber, Astrid Varnay, and Léopold Simoneau. He died on February 6, 1954 in Manhattan, New York City,[1][2] and was buried in Ferncliff Cemetery and Mausoleum in Hartsdale, New York.[8] More Great Records on sale right now: https://shop.ebay.com/carsten_sf/m.html https://shop.ebay.com/carsten_sf/m.html More Great Records on sale right now: CLICK ON THIS LINK TO SEE MORE GREAT RECORDS CLICK ON THIS LINK TO SEE ALL ITEMS – VINTAGE BOOKS, VICTROLA and TURNTABLE ITEMS, CDs, Books and DVDs http://shop.ebay.com/carsten_sf/m.html ==== A Quick NOTE ON GRADING AND SHIPPING: As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS. If for any reason your transaction was NOT SATISFACTORY, pls contact me and I will work something out with you. YOU WILL NEVER HAVE A REASON TO GIVE ME A NEGATIVE RATING or a LOW STAR RATING. Quick note on grading: The Grade (Excellent to Poor, I don’t give Mint) refers to the WEAR of the record. Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise. »EXCEPTIONALLY QUIET » is close to noiseless, like a vinyl pressing. »VERY QUIET » is an above average quiet record for a given pressing. »Quiet » is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. If you don’t like the item, just return it, and I will refund the full purchase price. If you are in the San Francisco area, I welcome pick-up in person. I am very happy to ship records worldwide. Please use the EBAY shipping cost as a guideline. As always, I would appreciate any suggestions and corrections from you, pls contact me with any question. Thank you very much, and enjoy these great records!!! Powered by SixBit’s eCommerce Solution

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