Avantone Pro Active MixCube (Pair) Buttercream

$499.0 Buy It Now or Best Offer
free,30-Day Returns

Seller Store musiciansfriend
(386062) 99.4%,

Location: Kansas City, Missouri
Ships to: US,
Item: 134347701464

Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money Back
Return policy details:
Avantone:Avantone
Type:Not Available
Not Available:Not Available
Color:Buttercream
MPN:A
Manufacturer Warranty:true
Item Length:16.900
Item Width:13.200
Style 1:Buttercream
Connectivity:Not Available

These 5.5″ Avantone Mixcubes are shielded, full-range mini reference monitors perfect for active recording and as mixdown monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually all major studios for the last 25 years.Engineering ObjectiveThe Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations. The secondary engineering facet was to create a timeless design that compliments a single full-range transducer.Performance ObjectiveStudios primarily use 2-way and 3-way larger monitors designed to represent a wide-range reference viewpoint at higher listening levels Home Guitars Percussion Accessories Avantone Pro Active MixCube (Pair) Buttercream item# 1375800278020 New These 5.5″ Avantone Mixcubes are shielded, full-range mini reference monitors perfect for active recording and as mixdown monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually all major studios for the last 25 years. Engineering Objective The Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations. The secondary engineering facet was to create a timeless design that compliments a single full-range transducer. Performance Objective Studios primarily use 2-way and 3-way larger monitors designed to represent a wide-range reference viewpoint at higher listening levels. However, in this newly developing age of high-definition audio, there is still a need to also hear what your mix will sound like when played back over small « bass-challenged » systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full-range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R&D comparative listening and tweaking went into the voicing of the Avantone Mixcubes. The result is a very smooth sounding, full-range upgrade from the original 5C Sound Cubes. Listening tests reveal that the Mixcubes have a smooth, more open, transparent top-end response with extended bass while maintaining their basic original character. Cabinet Design The original 5C Sound Cubes were made of 1/2″ particleboard covered with a glue-on woodgrain contact paper. Avantone chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. They started with a 165 mm (6-1/2″) sealed cube design with radiused edges, then chose an elegant polyurethane high-gloss creme finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. Avantone upgraded to high-end nickel-plated, machined solid-metal binding posts (dual banana spacing) mounted on a black anodized, milled and silk-screened aluminum terminal plate. Next, they added a 7 mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, Avantone recessed an industry standard 5/8″-27 mic stand mount into the base. Driver Design The originals were a basic 5″ stamped frame design. Avantone designed a proprietary 5.25″ die-cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed and crafted using the finest New Zealand pulp with mica fibers added for lighter weight and rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low-carbon steel enabling the highest modeled flux density in the gap. The magnets are Y-40 GRADE (MIL-SPEC) yielding a 43 oz. high-power low-distortion motor structure. Amplifier Design Avantone designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates « overkill » concepts in component selection as well as safety. The result is a « no-compromise » amp with robust headroom characteristics that will rival the performance of much higher priced studio rackmount amps. Balanced Input This « combo XLR » input accepts a BALANCED male XLR plug as well as a 3-conductor BALANCED TRS 1/4″ or a 2 conductor UNBALANCED TS 1/4″ male plug. For unbalanced operation with a TS connector, the minus signal is automatically grounded. System Gain This variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30dB to +6dB. A setting of +6 allows a full, unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. Please Note: when the signal appearing at the input is too hot, the amplifier can overload causing distortion and possible damage to the speaker. If overload occurs, attenuate (decrease) the input level by turning the knob counter-clockwise a few clicks. On/Off Switch This illuminated switch turns the amplifier section on and off. The unit is still receiving power from the transformer however. AC Input This input is only to be use with the proprietary Avantone Power Supply. Tighten the cable/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC/MAINS operating voltage for your location. Ground Lift Switch By engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal. Placement When positioning the Avantone Active Mixcubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations. Features: General Size:Near-field System type:Active Configuration: full-range Drivers Low-frequency driver:Not applicable Mid-frequency driver: Not applicable High-frequency driver: Not applicable Full-range driver: 5.25″ Driver type: Paper cone Sound Frequency response: 90Hz–17kHz Max peak SPL: 104dB Amplifier class: A/B Output power: 60W Onboard Features Input connectors: XLR/TRS Standby mode:No Acoustic space control: No Power indicator: No Other Width: 6.5″ Height: 6.5″ Depth: 6.5″ Weight: 7.5 lb. Enclosure type: Sealed Specifications: System Type: Active (Self-powered) shielded full-range stereo pair Frequency Response: 90Hz–17,000Hz (useful musical range) Driver Impedance: Nominal 8 ohms Max SPL: 104dB @ 1 meter = 1%THD (PINK NOISE) Amplifier Type: Class A/B Amplifier Power: 60 watts RMS@ .005% THD (1kHz) Amp Frequency Response: 22Hz-50KHz +0dB/- 3dB (90Hz-50KHz +/-0dB) Noise: S/N -113dB Sensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL Driver: Proprietary design 5.25″ cast aluminum frame / paper cone / shielded Cabinet: sealed / 18mm MDF / Dacron acoustical stuffing Inputs: XLR & TRS (COMBO JACK) +4/Balanced and -10 unbalanced Weight: 7 lb. 5 oz. (per speaker) Dimensions: 6 1/2″ x 6 1/2″ x 6 1/2″ Shipping Orders are generally shipped the following business day after payment is received. For example, if your order is placed AND paid for at 1 p.m. Eastern Time on Friday, Musicians Friend will ship it on Monday. We are only shipping eBay orders via standard ground shipping at this time (3-7 business days for delivery once the item leaves our warehouse) Payment We use eBay Managed Payments and accept the following forms of payment credit, debit, and gift cards, Apple Pay, Google Pay, PayPal, and PayPal Credit. Sales Tax We are required to collect sales tax on all orders, except those shipped to the following states: Alaska, Delaware, Montana, New Hampshire and Oregon. Store Policies If you’re not satisfied, neither are we. If for any reason you’re not completely satisfied with your purchase of a new item, simply return it in its original condition within 45 days of purchase (see exceptions below) and we’ll give you a full refund. It’s that simple. Returned items must be in original, brand-new condition, showing no signs of wear or use such as belt-buckle or pick scratches, scuffs, dings or scrapes on the instrument or collateral materials. Items must also include all original packaging, manuals, warrantees and accessories or your return may be subject to a return handling charge. Your refund will be promptly processed upon successful evaluation of your returned item from our trained category professionals in 2-3 business days. Refunds are made for product value only, excluding shipping and handling charges. If you received Free Shipping on your order, the value of the uncharged shipping cost will be deducted from your refund. Limitations and Exceptions Returns of the following products must be made within 10 days of shipment – Stringed instruments priced at $1999.00 or more. The following products cannot be returned – Clearance items, Apple products, items identified as non-returnable, discontinued items, electronic software downloads, demo gear, vintage instruments, strings, reeds, computers, tubes, earbuds, earplugs, recorders, tin whistles, flutophones, « world » wind instruments, harmonicas, raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluid, clothing/footwear, body jewelry, sheet music, cleaners, polishes and polishing cloths, software/soundware, books, CDs, DVD’s, vinyl records, and videos.The following fees apply to Band & Orchestra returns – All returned woodwind and brass instruments incur a $10.00 sanitization fee. Returned bows are assessed a $4.00 restocking fee. Returned mouthpieces over $300 incur an $8.00 sanitization fee; the fee for mouthpieces under $300 is $4.00. Should you decide to return your shipment, please follow the return steps printed on the back of your invoice and pack your return carefully to prevent damage in shipment. All returns must: 1. Include a Return Authorization Number; (Please contact us via eBay messages for an RA number) 2. Be in the original packaging complete with all collateral materials such as cases, straps, cables, care kits, certificates of authenticity, warranty cards, manuals, and any other materials that originally shipped with the instrument; 3. Be in brand-new condition, showing no signs of wear or use such as belt-buckle or pick scratches, scuffs, dings, or scrapes on the instrument or collateral materials.

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Avantone Pro Active MixCube (Pair) Buttercream

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