Strymon Dig Dual Digital Delay Effect Pedal

$219.99 Buy It Now or Best Offer
free,30-Day Returns

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Location: Winchester, Virginia
Ships to: US,
Item: 405315253961

Restocking Fee:No
Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money Back
Type:Delay
Strymon:Strymon
Analog/Digital:Analog
MPN:Z12A-5DIG
UPC:852636007256

DJ GEAR INSTRUMENT GEAR LIVE SOUND RECORDING MICROPHONES HEADPHONES ACCESSORIES SOFTWARE LIGHTING BUNDLES Authorized Dealer – Full Warranty Strymon Dig Dual Digital Delay Effect Pedal Dual Digital Delay Effect Pedal – Brand New – Description Delay Doppelgänger DIG unearths the true soul of digital delay and doubles it—two simultaneous, integrated delays with the captivating rack delay voicings from the 1980s and today, for incredible expressive potential. Effortlessly create your own world of intricate and synchronized echoes, along with hypnotic and atmospheric repeats that blur the line between delay and reverb. Stretch your sonic horizons with five musically satisfying rhythmic subdivisions and three dual delay routing options. Go from syncopated, pulsating delay patterns, to evocative, spaced-out echo trails all in a compact, pedalboard-friendly format. Strymon Dig Dual Delay Pedal Rack to the Future Rack-mount digital delays of the ’80s ushered in a new era of audio effects. The innovative electronic designs generated the cleanest delays yet to be heard, but also created their own special and intriguing sonic characteristics. Thirty-plus years later, these sounds remain as distinctive and inspiring as ever. Strymon Dig Dual Delay Pedal Our thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG’s three digital delay voicings: the early ’80s adaptive delta modulation mode, the mid-’80s 12 bit pulse code modulation mode, and the modern high-resolution 24/96 mode. Multiply these distinct voicings by two and get DIG—your perfect dual delay ally. Two Simultaneous, Integrated Delays DELAY 1 – The Master Delay. Free-running delay time allows you to easily dial in delays from 20ms to 1.6s with the Time knob or Tap Tempo switch. Longer delay times lend themselves to more ambient soundscapes while doubling and slapback effects can be achieved at short delay times. DELAY 2 – The Companion Delay. Set the ratio between the two delays with one of five rhythmic subdivisions: triplet, eighth note, dotted eighth note, dotted quarter note, and the golden ratio. Don’t want synchronization? Engage Free Mode to disable subdivisions and allow Delay 2 to be its own independent, free-running delay. Dial in short delay times for chorus/flange sounds to run alongside Delay 1. Series, Parallel, Ping Pong Set up your two delays in one of three configurations. Series is like setting up pedals in a chain on your board, feeding Delay 2 into Delay 1. Parallel will orient your delay lines so that they remain independent—Delay 1 in the left channel and Delay 2 in the right channel. With Ping Pong, each delay acts as a ping pong delay, interacting together when both Mix knobs are turned up. Free Mode Don’t want your delays to be synchronized? Free Mode disables time sync and subdivisions between Delay 1 and Delay 2, giving the Time 2 knob a full delay range from 20ms to 1.6s. Circular Repeats Holding down the TAP footswitch enables circular repeats, where both delay lines maintain a static volume and repeat continuously until the TAP foot switch is disengaged. At this point, all previous settings will be restored. Expression Pedal Input allows for the connection of either an expression pedal, external tap, or Favorite switch. Plug in an expression pedal and control any one knob with your foot. Plug in an external tap pedal to remotely tap in your tempos. Plug in a Favorite switch to save and recall a favorite preset. TRS Stereo Input We know that there are some out there that like to run stereo rigs. This is why we’ve added the option of running the input of your DIG in stereo. Flip a jumper inside your pedal, use a TRS splitter cable, and now you’ve got yourself a stereo input. The Dawn of Digital Don’t all digital delays sound the same? What gives a digital delay its own unique personality? Digital conversion technologies in the late 70s was advancing rapidly, and clever electronics designers were on a quest to squeeze out the best possible performance specs, with fidelity not possible from tape or analog circuits. Their imaginative solutions achieved pristine delays that posess some unintended, unique characteristics as they sought to overcome the limitations of the conversion processes. Our careful study of digital delay technology reveals their individual personalities. ADM – A one bit, high sample rate conversion technique that evolved from telecommunications voice coding. The conversion and supporting signal conditioning, limiting, and pre-emphasis/ deemphasis create a percussive wide-band delay that adds more character when input dynamics increase. 12 bit – A 12 bit, 32kHz PCM conversion made possible by monolithic IC chips developed in the late ’70s. Pre-emphasis/de-emphasis and companding combine with the converters to produce a warm delay with a dimensional sense. 24/96 – A clean, high-resolution, high-bandwidth delay with a hint of dynamics that allow the delay to sit nicely with the analog dry signal. 24 bit resolution and a 96kHz sampling rate ensure uncolored, artifact-free repeats. Features/Specs Sound Design Two simultaneous, integrated delays, with unique digital rack delay voicings Five dual delay adjustment and tone shaping knobs: Time, Time 2, Mix, Mix 2, Repeats One modern and two classic digital delay voicings: 24/96, adm, 12 bit Five rhythmic subdivisions: Triplet, Eighth, Golden Ratio, Dotted Eighth, Dotted Quarter Three choices for delay line modulation: Off, Light, Deep Five “hidden” knobs for deep dual delay control: Delay 1 Subdivision, Sync/Free Mode, Filter, Config, Delay 2 Repeats Selectable Free Mode disables subdivisions and synchronization Press and hold Circular Repeats effect 20ms – 1.6s delay range (40ms – 3.2s with Half Note Delay 1 Subdivision) Ins, Outs, Switches High impedance mono input, with selectable TRS stereo input Stereo output Three signal routing configurations: Series, Parallel, Ping Pong Tap tempo and Bypass footswitches Expression pedal input allows the connection of either an expression pedal (for selectable control over any knob parameter), external tap pedal (for remote control of tempo), or Favorite switch (to save a Favorite preset) Audio Quality Super low noise, high performance 24-bit 96kHz A/D and D/A converters 115db typical signal to noise Analog dry path for a zero latency dry signal that is never converted to digital +8dBu maximum input level easily handles instrument and line signals 20Hz to 20kHz frequency response Premium analog front end and output section Super high performance SHARC DSP in a compact form factor 32-bit floating point processing More True Bypass (electromechanical relay switching) Selectable Trails Mode with high quality, transparent Analog Buffered Bypass mode 9V center negative DC power supply included, 250mA current draw Strong and lightweight anodized carnation pink chassis Designed and built in the USA We are authorized dealers for all these brands. Click a logo to see our listings. ProAudioStar is also not responsible for any taxes, local duties, or fees outside of the USA and those are not included in the sale price or ship charge. If an item is refused by the buyer, ship costs to and from the destination in which the item was shipped to are not refunded. Please note the cost of return shipping is usually double of what the original ship cost. Shipping is not free to HI, AK, and PR. FREE SHIPPING ONLY TO THE LOWER 48 STATES. We provide free shipping to the contiguous 48 United States, on most items. Shipping fees to ALL OTHER LOCATIONS will be calculated individually and added to customer invoices. ProAudioStar is also not responsible for any taxes, local duties, or fees outside of the USA and those are not included in the sale price or ship charge. In the event that the customer refuses a shipment, all shipping costs to and from the country or State in which the item was shipped to are not refunded. Please note, in some cases return shipping can cost as much as double the original ship cost. We operate a 30-day return period. Items must be returned with all original packaging as well as all included items. Items that are not returned in original, resalable condition are subject to a 15% restocking fee. We charge a 15% restocking fee on returned items only if the item is clearly used and or the packaging is tarnished. A 10% re-stock is more likely if the unit comes back in mint condition. The ship cost we paid to ship your item will be deducted as well. In some cases restock fees and ship costs can be applied as a store credit. We will exchange a defective unit for the same unit within the 30-day period. After that period, you will have to work directly with the manufacturer for warranty service. Items that can not be returned include: software, units with contents or packaging that is damaged/missing, and items that are considered for personal use (such as earphones, headphones, microphones, instrument mouthpieces, harmonicas or other items that you wouldn’t want to purchase if someone else had previously used them). Also, Items which we do not normally stock (i.e. « Special Orders », discontinued products, close-outs, used products, etc.) are non-returnable. We strongly suggest that you check your order after receiving it to be sure that it is in proper working order. Please contact us for a Return Authorization before returning any items.

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Strymon Dig Dual Digital Delay Effect Pedal

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