THE LONG ABSENCE – 1962 SOVIET FILM MOVIE POSTER – PRIZE OF CANNES FILM FESTIVAL

THE LONG ABSENCE - 1962 SOVIET FILM MOVIE POSTER - PRIZE OF CANNES FILM FESTIVAL

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Location: Clarksburg, Maryland
Ships to: US,
Item: 315824320406

Restocking Fee:No
Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money back or replacement (buyer’s choice)
Size:Medium (up to 36in.)
Region of Origin:USSR
Handmade:No
Artist:KOVALENKO IVAN LEONTYEVICH (1919 – 2002)
Framing:Unframed
Country/Region of Manufacture:Russian Federation
Custom Bundle:No
Style:Vintage,Affichiste,Art Deco,Illustration Art,Russian
Material:Paper
Theme:Advertising,Agriculture,Art,Community Life,History,Movies,Working Life
Personalize:No
Type:Poster
Title:THE LONG ABSENCE
Features:Unframed,1st Edition,Limited Edition
Subject:Film,Advertising,Movies,Movie,Adventure Time,Family,Farming
Certificate of Authenticity (COA):No
Culture:USSR
Signed:No
Listed By:Dealer or Reseller
Original/Licensed Reprint:Original
Year of Production:1962
Date of Creation:1960-1970
Width (Inches):21
Unit of Sale:Single-Piece Work
Color:Multi-Color
Height (Inches):32

Original title on the poster: СТОЛЬ ДОЛГОЕ ОТСУСТВИЕ Released title for English speaking countries: THE LONG ABSENCE POSTER ARTIST: KOVALENKO IVAN LEONTYEVICH DIRECTED BY: HENRI COLPI GENRE: DRAMA, MYSTERI POSTER LANGUAGE: RUSSIAN PRINT YEAR: 1962 PRINT RUN: 15.000 !!! POSTER COUNTRY: USSR FILM COUNTRY: FRANCE PUBLISHED BY: « REKLAMFILM » (MOSCOW) SIZE: IN: 21 x 32 = CM: 53 x 81 PRODUCED BY: PROCINEX, LYRE GALATEU FILM CONDITION: ROLLED, USED TO BE FOLDED FILMPLOTSTARSIMDBARTISTFILMPLOTSTARRINGIMDBPOSTER ARTIST Original official Soviet movie poster for the film: -« THE LONG ABSENCE » original French title « UNE AUSSI LONGUE ABSENCE » – is a 1961 French film directed by Henri Colpi. This film shared the Palme d’Or prize with the Luis Buñuel film Viridiana at the 1961 Cannes Film Festival. The poster was issued in a highly limited edition – only 15.000 examplars. Sixteen years after the end of World War II, Thérèse Langlois owns a pub in Puteaux, Paris. Wrapping up the season, she plans her annual vacation in Chaulieu with her lover, but is growing emotionally distant towards him. At the pub, a tramp walks by daily singing The Barber of Seville aria and other opera songs. Intrigued, Thérèse has her bartender Martine call the tramp in for a drink. The tramp, who says he lives by the river, reveals he is suffering from amnesia but carries identification indicating his name is Robert Landais. After the tramp leaves, Thérèse follows the tramp to the river and studies his face and movements; she becomes convinced he is in fact her long-lost husband Albert Langlois. Determined to make the tramp remember his past identity, Thérèse brings Albert’s aunt Alice to the pub, along with Albert’s nephew. While the tramp is sitting at another table, the three Langlois loudly recount Albert’s story; During the war Albert had been arrested by the French police in Chaulieu in June 1944 and turned over to the Gestapo in Angers, and spent time in a camp with his friend Aldo Ganbini. Thérèse herself (née Ganbini) was originally from Chaulieu but stayed in Puteaux, they recount. The tramp leaves the pub without acknowledging himself as Albert. Alice discloses to Thérèse she did not recognize the tramp and that she believes he is not a physical match for Albert, also pointing out Albert had no knowledge of the opera. Thérèse disagrees, arguing Albert could have learned the songs while imprisoned with Aldo. Thérèse ends her relationship with her lover. She meets with the tramp for dinner, after which they dance. The tramp still does not indicate he remembers anything about a past life as Albert. As the tramp leaves, Thérèse loudly calls out the name Albert Langlois and other friends join in. Overwhelmed, the tramp stops, raises his hands in a pose of surrender, and flees. As he runs, he narrowly avoids a traffic accident. Thérèse’s friends tell her the tramp is unharmed but that he is gone, and try to persuade her to give up on bringing his memories back. Thérèse is unconvinced by them, deciding that it will be easier to try to restore the tramp’s memories in the upcoming winter season. ☆ Alida Valli ☆ Georges Wilson ☆ Charles Blavette www.imdb.com/title/tt0054426/ KOVALENKO IVAN LEONTYEVICH (1919 – 2002) – Soviet Ukrainian Artist, graphic artist, poster artist, Member of the Union of Artists of the USSR. Honorary Cinematographer of Russia. Born in the Poltava region, in a peasant family. Graduated from the Moscow State Academic Art School in memory of 1905. 1939-1945. served in the Soviet Army. I met the war in Minsk. He fought on the Belorussian front, near Moscow and Leningrad. In 1941, Sergeant Ivan Kovalenko trained signalmen at the headquarters of Marshal Zhukov. The Marshal personally awarded Ivan Leontyevich a personalized watch. Since 1956, a member of the Union of Artists of the USSR.. Collection of movie posters 50-80. works by Ivan Leontyevich Kovalenko are in the Florida Museum of Cinematography, USA. Honorary Filmmaker of Russia. He was awarded the Order of the Patriotic War of the 2nd degree, medals: « For military services », « For the defense of Moscow », « For the capture of Koenigsberg », jubilee. In 1945, Ivan Leontyevich moved to Moscow. Having not received a professional art education, he masters the art of an artist on his own, and begins to work in the field of film advertising in « Reklamfilm » and in the cinema « October ». He created a large number of movie posters of the 1950s-1980s. – for the films « Wounded », « The Star and Death of Joaquin Murieta », « Train Out of Schedule », etc. For some time he taught at advanced training courses for film poster artists. Since 1956 I.L. Kovalenko becomes a member of the Union of Artists of the USSR. He was awarded the title of « Honorary Cinematographer of Russia ». He is the founder and permanent leader of the only film poster school in the country. There are works in Moscow – in the Russian State Library and the Museum of Cinema, in the Museum of Cinematography of the United States (Florida), in the collection of the White House administration (Washington), they are also in the collection of our gallery. The favorite pictorial theme of Ivan Leontyevich throughout his entire work was the theme of man’s coming – before life, before death, before eternity. His paintings make one think about the future life, and about the life of the past, about a brief moment in the present. The artist is distinguished by his mastery of the drawing technique. The color always emphasizes the mood and idea of the piece. Bold compositions, vivid images, a constant search for new solutions, an appeal to the archetypes of consciousness (the image of the Motherland: a church, a girl in a field, a rowan branch) distinguish Kovalenko from his contemporaries, realist artists. The artist paints abandoned, deserted places, destroyed churches, forcing the viewer to think about the difficult fate of Russia. The feeling of pain from the loss of loved ones, friends, compatriots was reflected in his works, full of quiet sadness and sadness. But, despite all this, the sadness of his work is light. Writing in the last years of his life with a heart filled with kindness and love, the artist gave all of us a piece of himself. A quiet lyrical note, which begins to sound in the most remote corners of the viewer’s soul, continues to delight him even after the review of the exhibition is over. The artist was sent down a unique talent to give people joy.Original title on the poster: FILM NAME English released title: FILM NAME POSTER ARTIST: 1234 DIRECTED BY: 1234 GENRE: 1234 POSTER COUNTRY: 1234 PRINT YEAR: 1234 PRINT RUN: 1234 FILM COUNTRY: 1234 LANGUAGE: 1234 PUBLISHED BY: 1234 SIZE: 1234 PRODUCED BY: 1234 CONDITION: 1234 FILMPLOTSTARSIMDBARTISTFILMPLOTSTARSIMDBARTIST I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. LINK CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002) Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster « in the USA (1991-92), » Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers.Original title on the poster: FILM NAME English released title: FILM NAME POSTER ARTIST: 1234 DIRECTED BY: 1234 GENRE: 1234 POSTER COUNTRY: 1234 PRINT YEAR: 1234 PRINT RUN: 1234 FILM COUNTRY: 1234 LANGUAGE: 1234 PUBLISHED BY: 1234 SIZE: 1234 PRODUCED BY: 1234 CONDITION: 1234 FILMPLOTSTARSIMDBARTISTCONDITIONFILMPLOTSTARSIMDBARTISTCONDITION I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. LINK CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002) Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster « in the USA (1991-92), » Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. Original title on the poster: FILM NAME English released title: FILM NAME POSTER ARTIST: 1234 DIRECTED BY: 1234 GENRE: 1234 POSTER COUNTRY: 1234 PRINT YEAR: 1234 PRINT RUN: 1234 FILM COUNTRY: 1234 LANGUAGE: 1234 PUBLISHED BY: 1234 SIZE: 1234 PRODUCED BY: 1234 CONDITION: 1234 FILMPLOTSTARSIMDBARTISTCONDITIONFILMPLOTSTARSIMDBARTISTCONDITION I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. LINK CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002) Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster « in the USA (1991-92), » Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. Film title: FILM NAME POSTER ARTIST: 1234 DIRECTED BY: 1234 GENRE: 1234 POSTER COUNTRY: 1234 PRINT YEAR: 1234 PRINT RUN: 1234 FILM COUNTRY: 1234 LANGUAGE: 1234 PUBLISHED BY: 1234 SIZE: 1234 PRODUCED BY: 1234 CONDITION: 1234 FILMPLOTSTARSIMDBARTISTCONDITIONFILMPLOTSTARSIMDBARTISTCONDITION I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. LINK CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002) Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster « in the USA (1991-92), » Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. !!! COLLECTION SALE !!! YALTA HOTEL YALTA INTOURIST WELCOMES YOU! Dear visitors and collectors up for auction is highly rare Soviet agitation poster issued in english by popular USSR tourism company « Intourist ». Come to us in the USSR! – the meaning of the posters issued by the firm « Intourist » was advertising of tourist trips for foreign citizens beyond the « Iron Curtain ». You would be surprised, but some same subject rare posters are putiing up from time to time for auctions in London at Christie’s auction. Yalta Hotel – is still working nowadays under the same name. ……………………………………………….. ARTIST: unknown DATE: 1983 EDITION: 5000 PUBLISHER: « Intourist » LANGUAGE: English SIZE: in: 16×26 – cm: 40×60 CONDITION: Rolled Listing and template services provided by inkFrog

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